I’ve made it back from my adventures on the Emerald Isle, and although there’s the post-vacation blues and jet lag to sort through, I’m still super excited to crank out today’s post because it’s finally time to tell you all about my favorite of the many story lines I’ve woven together in The Bonds of Osteria.
Sure, Perseus and Medusa are classically familiar, and what girl doesn’t love a bit of Pegasus in her life? But the legend of Orpheus and Eurydice quickly turned into the story line I was most eager to work on over the many, many, MANY drafts to bring Bonds to life.
The Myth Vs. The Book: Orpheus & Eurydice
As with my past two forays into Myths Vs Book, I’m going to shout “SPOILER ALERT!!” right now, especially if you don’t know one lick of the story of Orpheus and Eurydice. The original myth is in regular typeface, while I’ve enclosed my version of events in **italics** like so. Got it? Okay, on with the myth and my twist on this beautiful tale.
There’s a few slight variations of the Orpheus and Eurydice myth, but let’s stick with the basics. In Greek myths, Orpheus is the son of the muse Calliope and the god Apollo who gives him a lyre. Orpheus turns out to be a child prodigy and ends up playing the most beautiful tunes in all the world.
Lyre, lyre, pants on fire!
**Those of you already familiar with the Osteria Chronicles know that Orpheus’s mom desperately wants her son to be a musician, but he’s got this pesky yearning to tinker with engineering (kids these days, am I right?). Still, Mom has gotten her way and Orpheus can play a mean bit of harp when required. Although I haven’t come out and clearly stated it, there are hints in The Bonds of Osteria that Orpheus may have divine parentage.** Continue reading